14 KiB
Music Review Sheet!
Intervals
How to determine an interval
### 1. Size matters - Count the number of lines
and
spaces
between and including the ones that the 2 pitches
are on (+2) - Do not count them as the enharmonic equivalent, a
C flat
is a C flat
,
NOT
a B
### 2. Construct
Table - |Size|Number of Semitones| |:—|:——————| |P 1|0| |M 2|2| |M 3|4|
|P 4|5| |P 5|7| |M 6|9| |M 7|11| |P 8|12| - Remember:
P, M, M, P, P, M, M, P
-
Remember:
0, 2, 4, 5, 7, 9, 11, 12
### 3. Construct
Keyboard - Tone, Tone Semitone, Tone, Tone, Tone semitone - Chop sticks
- Foot ball posts
### 4. Put 2 pitches on the correct notes on the key board - put the
pitches correct / corresponding to the key ### 5. Count the number of
semitones - Counting from one semitone to the other counts as
ONE
semitone - Example: C
to
C#
is ONE
semitone ### 6.
Find Quailty and Quantity of Interval - Look to your table and see what
is interval matching the correct number of semitones and size - Example:
An interval with the size of 5
and 7 semitones
is a Perfect 5th
How to construct an interval
- First count the size of the interval to find the note
- Then count the correct number of semitones from the base note to find the pitch of the note
- Example:
- G is the base note, constuct a major 2 - Count for 2 notes, you get A - Count 2 semitones from G - G -> G# (1 semitone), G# -> A (2 semitones) - A is the correct answer
Rhythms
Go to this link for more information and practice
Remember:
The Grand Staff
Lines are counter from the
bottom
totop
Treble Clef
- F A C E
- E G B D F
Bass Clef
G B D F A
A C E G
The
G Clef
is TheTreble Clef
The
F Clef
is theBass Clef
Ledger Lines
- Only there to suppor the note
- Do not write it above the note
- Is to extend outside of the
grand staff
Notes
Measure, Bar Line and Double Bar Line
- Music is divided into equal parts by BAR LINES
- The area between two barlines are called a MEASURE or a BAR
- A DOUBLE BAR LINE is written at the end of a piece of music
- Its made up of one thin and one thick line
- The thick line is always on the outside
- On a grand Staff, the double bar line passes through the entire staff
- When dividing barlines, be sure to divided evenly
Unit 3
Time Signature and Note Values
- The UPPER number tells how many
beats (or counts)
are in each measure. - The LOWER number indicates what type of note receives 1 beat
Whole Half and Quater Rests
- Remember:
B
at,H
at,S
quigly - Remember: If an entire bar/measure is rest, then
mark it with a
WHOLE
rest, doesn’t matter what time signature it is
Ties and Slurs
- Tie joins two notes of the
same
pitch - The tied note’s value is added to the value of the first note
- The tie should always be written on the opposite side from the note stems
Unit 4
Repeat Signs and Second Endings
- Two dots placed before the double bar indicates a
repeat sign
- it means to go back to the beginning ## First and Second endings
- It means after repeating from the end of the first ending, skip the first ending and go the second ending
Eigth Notes
- When you add a flag to the stem of a quarter note, it becomes EIGHTH NOTE
- They are 1/2 of a quarter note
- An even number of eight notes can be grouped together with something
called a
beam
Eigth Rest
- Its equal to half the value of a quarter rest
Dotted notes
- a Dot represents a value of half of its original beat
- Example: A dotted quarted note is 1.5 beats
Unit 5
Dyanmic Signs
Italian | Sign | English |
---|---|---|
Piano | soft | |
Forte | loud | |
Mezzo Piano | moderately soft | |
Mezzo Forte | moderately loud | |
Pianissimo | very soft | |
Fortissimo | very loud |
Italian | Sign | English |
---|---|---|
crescendo or cresc | gradually louder | |
diminuendo or dim. or decrescendo or decresc | gradually softer |
Tempo Marks
Italian | English |
---|---|
Largo | Very slow |
Adagio | Slow |
Andante | Moving along (walking speed) |
Moderato | Moderately |
Allegro | Quickly, cheerfully |
Vivace | Lively and Fast |
Italian | Term |
ritardando | ritard. or rit. |
accerlerando | accel |
Articulation
Italian | Symbol | English |
---|---|---|
staccato | play the note
short and detached . The italian word means “detached”. |
|
accent | Play the note louder, with a special emphasis | |
sforzando | A sudden, strong accent. The italian word mean “forcing”. | |
tenuto | Hold the note for its full value. The italian word means “held”. | |
fermata | Hold the note longer than its normal value (approximately twice the normal duration) |
Unit 6
Flats
- One semitone lower than the current note
- Remember, C flat is not the same thing as B
Sharps
- One semitone higher than the current note
- Remember, E sharp is not the same thing as F
Naturals
- If the note was a sharp or a flat, cancel it out
- C# –> C, Db –> D
History
Practice:
True / False
- The period of middle ages was marked by barbaric wars, fedual
disputes and regligious cursades
- True
- The only way to learn music education during the middle ages was in
church schools
- True
- In the baroque period, there were 3 very important developments in
the use of musical groups
- False
- Almost all of the music from the middle ages was instrumental music
- False, instruments were not allowed in churches or monasterires for the majority of the middle ages
- Unity of rhythm is when rhythmic patterns are heard throughout the
piece and played at the end of the piece
- False, is when the same rhythm pattern is heard throughout the piece
- Continuity of Melody is when the opening melody is heard again and
again throughout the piece
- True
- Antonio Vivaldi is credited as being the first major composer of
opera
- False, it was claudio monterveridi
- The Baroque period was a period of development for instrumental
music
- True
- Stress on balance and clarity of structure are two important
elements of music and art during the Classical period
- True
- Catherdrals and monasteries were the center of educational,
religious and musical life
- True
- Girls and Boys were allowed to attend church schools in the middle
ages
- False, only boys were allowed
- One of the most important occupations in monasteries is liturgical
singing
- True
- Bach created the oratorio
- False, it was Handel
- Classical music focuses on freedom of expression
- False, it was the Baroque period
- The emancipation of the composer was an important development in the
Classical era.
- True
- Joseph Haydn worked as a freelance musician.
- False, It was Ludvig Van Beethoven
- Almost all the music from the middle ages was vocal music
- True
- The vast majority of the changes in music was in French and Italian
music
- True
- The development of two or more simultaneous melodic lines is known
as heterophony.
- It is polyphony
- The piano was the most prominent instrument used in the Middle Ages.
- It was the organ
- The chamber sonata was written and designed to be performed in the
church.
- False, it was player outside of the church, usually in a small paylor setting
- During the Classical Period, the Italians favoured comic opera,
called opera buffa.
- True
- Franz Joseph Haydn’s career as a chorister ended because he despised
the church.
- False, his career ended due to his voice changed after he hit puberty
- Mozart was not interested in living under the traditional patronage
system.
- True
- The Church had less power than the kings
- False, they had almost equal power
- Messiah was a oratorio by George Frideric Handel
- True
- French Overtures consisted of 3 sections: fast, slow, and fast
- False, it was the italian overture
- Composers in the classical period composed more piano sonatas, in
comparison with the other periods in history of music
- True
- The pianoforte was invented during the Classical Period
- False, it was invented during Baroque by Christofori
- There were no division between the social classes in the middle ages
- False, there was a sharp division among the social classes
- Peasants were the centers of religious
- False Cathedrals were the centers of religious
- All the important musicians during the middle ages were priests and
worked for church
- True
- Pope Gregory had nothing to do with the actual writing down or
transcription of the chants
- True
- The italians had undertaken opera as a new art form and felt that
serious opera was the only viable art form
- False. The italians believed that they had a monopoly on opera, the french had undertaken opera as a new art form and felt that serious opera was the only viable art form
- Classical music is a term applied to any music that is of the jazz,
rock, popular music styles
- False, classical music is a term applied to any music that is not of the of the jazz, rock, popular music styles, It applies more specifically to the style of music that was composed in the eighteenth and early nineteenth centuries in Europe
- Wolfgang Amadeus Mozart died well known and wealthy
- False, he was dirt poor and penniless, it was until decades later that his work was recongnized
- Terraced dynamics change suddenly, if at all
- True
- Opera was invented in the Baroque period
- True
- Classical music was designed to appeal a wide-ranging audience
- True
- Liturgical singing is a solo piece for a singer
- False, It was aria
- A melody with a few chords is called a monody.
- True
- Organum is when you add a second melody/voice to a Gregorian chant
- True
- A cantata is highly dramatized, and is purely based on secular
themes
- False, the opera is dramatized and canata can be based on sacared themes as well
- Secular means religious
- False, sacared means religious
- The Baroque Suite was a series of dance movements all in different
keys
- False, its a series of dance movements all in the same key
Definitions
Chorister
: A memeber of a choir in a churchJongleur
: highly skilled performers that travelled from town to townTerraced dynamics
: When the dynamic changes abruptlyChurch School
: The only place to recieve musical educationPolyphony
: music that combines two or more simultaneous melodic linesUnity of Mood
: baroque music that expresses one basic emotionMonody
: music with a single vocal line accompanied by a few inconspicuous chordsThe Baroque Suite
: a series of dance movements all in the same keyVirtuosi
: A performer who has great technical ability on an instrumentMotet
: A secular or sacared piece of musicWord Painting
: when the music reflects the meaning of the textOpera
: a drama set to musicCanata
: a vocal work, either secular or sacaredOratorio
: a musical composition for voices and orchestra based on religious textScriptures
: religious textContinunity of Melody
: when the opening melody is heard throughout the pieceHomophonice Texture
: when one main melody is accompanied by either voices or instrumentsFrench Overture
: used as an overture to main compositions such as preludes or operas, Slow - FastItalian Overture
: used as an overture to main compositions such as preludes or operas, Fast - Slow - FastThe Church Sonata
: serious piece of work, played in the churchChamber Sonata
: played outside the church, usually in a small paylor settingUnity of Rhythm
: when a rhythmic pattern is heard at the beggining of the piece and heard throughout the pieceAria
: a solo piece for a singerClergy
: leaders of the church